Hamilton is Happenin’ - by Gabby Haake

 Gabby Haake

Hamilton

Hamilton is Happenin’

When my sister went through an infamous Hamilton phase, I was not impressed. After seeing it live at the Orpheum however, I have entered a Hamilton phase myself. Immediately after watching, I wrote this review like I was running out of time. Set in the late 1700s when Alexander Hamilton had an impact on many aspects of America as well as important American figures like George Washington, Hamilton tells the story of his life and career while highlighting love, allyship, betrayal, drama, and history. Featuring incredible songs, performances, and technical elements, Lin Manuel Miranda’s Hamilton does not disappoint. 

Seeing Hamilton is a superior experience, partly due to the audience. One thing about the audience for Hamilton; it’ll be mostly made up of hardcore fans. This means an interactive, enthusiastic audience, which always contributes to the experience. I loved hearing the audience roar when Hamilton, portrayed by Bryson Bruce, first entered on stage, and the roar that came everytime King George, played by Peter Matthew Smith, entered on stage. 

Hamilton does not contain the typical showtunes you’re used to. Instead, it contains lots of rap-style music, as well as heartfelt and soulful ballads. Even if you don’t consider yourself a rap music fan, I’m sure you’ll find beauty in the soundtrack arranged by Lin Manuel Miranda and Alex Lacamoire. It displays a present day adaptation to the very historic story, in a way that is entertaining and extremely catchy. Also, music is continuous throughout the show, so songs often include an introduction to the setting of the scene following an impeccable transition melody. 

While listening, it wasn’t hard to tell that the cast was an extremely talented group. Music director Kat Sherrell and other music staff involved are responsible for allowing the cast’s harmonies and dynamics to thrive. I often received chills down my back (in the best way) during large group numbers when their sound would fill the auditorium. I can still hear the final musical number in my head, and quite frankly hope it never leaves.

Several actors' individual talents were highlighted as well. Deejay Young as Aaron Burr blew me away with his impressive riff capabilities. Carvens Lissaint as George Washington was also hitting those runs! His talent wasn’t showcased to its full potential until his last song which is unfortunate, but also the perfect note to leave off on. 

Hamilton was visually brilliant as well. The choreography by Andy Blankenbuehler was dazzling when brought to stage. Sometimes the ensemble simply stole the show with their intricate, synchronized dancing that never failed to match the vibe of the scene. This made the show much more captivating, which when paired with the timeless music and talented soloists, made for a heavenly combination! 

The most note-worthy factor that contributed to the visuals throughout the musical was the lighting. Spotlights flashing on just the right characters, at just the right times, in just the right colors and shapes! The variety of lighting always helped set the scene and looked glorious from the point of view of the audience thanks to lighting designer Howell Binkley. 

So here I am, in my Hamilton phase. And I’m not ashamed! Hamilton provides a unique, inspiring experience that is guaranteed to impress anyone who appreciates music, choreography, and technical elements.