Shining, Shimmering, Splendid - Aladdin by Claire Huss

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Shining, Shimmering, Splendid 

Claire Huss

Aladdin 

Disney’s Aladdin is a spectacular adaptation of Disney's 1992 animated film. The story depicts the titular character, Aladdin, stumbling through life as a pickpocket in the marketplace of Agrabah. His life is forever changed when he meets the independent Princess Jasmine and seeks her company via wishes from a Genie. Opening on Broadway in 2011, the musical was vastly successful – a relief considering the nearly $15 million budget. 


The hero of this production of Aladdin is scenic designer Bob Crowley. Aladdin is a feast for the eyes, from the vibrant marketplace to the splendor of the palace to the grandiose Cave of Wonders. There were several gasps from the audience at each glimmer of gold, sunset behind the castle, or floating carpet. This grandeur is only amplified by the litany of costumes designed by Gregg Barnes, shimmering exquisitely on every single cast member. 

"Friend Like Me" is the most impressive number I have ever seen. Marcus M. Martin (Genie) is a star. However, this song depends not only on him but also on the cast behind him executing each effect he needs to show Aladdin. I never wanted this song to end. With each new bit, whether it was a "Dancing With the Stars" spoof, a Disney ballad cabaret, or a game show host, I was having the time of my life. So, imagine the pure joy coursing throughout my body when I heard tap shoes offstage. What?! They can do that?! The final minute of the song was pure bliss. 


Admittedly, "A Whole New World" fell a bit flat for me. Although the floating carpet is undeniably impressive, the darkness in this scene left me desiring more. Instead of seeing Jasmine and Aladdin fall in love on this carpet ride, I squinted and wished I could see their faces. The actors sounded terrific together, but hearing them without physically seeing their expressions was not enough. It was a letdown not to see Jasmine’s amazement as the two floated across the stage.

Between ensemble vocals and director Casey Nicholaw's gorgeous choreography, this cast was outstanding. In "Arabian Nights," the show kicks off with beautiful Bollywood-style dancing in the marketplace of Agrabah. Every jump from the men was perfectly in sync, and the scarves waved by the women were entrancing. "Babkak, Omar, Aladdin, Kassim" allowed the talents in the marketplace to shine through once again, and it was delightful to see the fight choreography between the dopey guards and clever robbers. 

Aladdin was just like watching the original Disney film – but even more fun to experience live. The flawless voices for each character, such as Jafar and Iago, added to the atmosphere of whimsy and an intentionally over-the-top feel. From the opulence of Jasmine's palace to the slums of Agrabah, this show was pure fun. The immense talent of each member of this cast allowed magic to happen onstage (with the help of special effects designer Jeremy Chernick). If you are looking for a fun night full of nostalgia and wonder, see Aladdin while you can!

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