Beyond the Barricade: A Review of Les Misérables by Addica Sharbono

From the very first notes, Les Misérables proved once again why it remains one of the most emotionally powerful works staged. The story, based on the book by Victor Hugo of the same name, follows the life of Jean Valjean, as he breaks his parole to start a new life. The music of Les Misérables is one of the most beautiful and emotionally devastating scores. Composed by Claude-Michel Schönberg with lyrics by Alian Boublil, the score carries the emotional weight of the story in a way that words alone never could. Each musical motif returns at just the right moment, that immediately immerses you in its world, reminding the audience of pain, hope, and redemption. Whether you love it or hate it, Les Misérables is an undeniable emotional powerhouse.

The performance of Randy Jeter as Jean Valjean was truly splendid, made even more impressive by the fact that he was an understudy. He embodied the role in such a way that was honest and compelling, speaking volumes about his strength and confidence as a leading man. Jeter shined in the commanding song “Who Am I” and the gentle “Bring Him Home,” making his performance deeply moving. Additionally, Jeter’s presence felt grounded and authentic, making Jean Valjean’s journey all the more compelling.

His counterpart, Hayden Tee as Javert was outstanding. Tee’s diction was exceptionally clear, allowing every word to land with intention and authority. This clarity strengthened his characterization, reinforcing Javert’s rigid moral code and unwavering conviction. During Tee’s performance of “Star,” his vocal and dramatic precision made Javert’s conflict with Valjean especially gripping. His resonant voice brought a sense of control and intensity that made his performance both powerful and memorable. While Javert may be the villain, Tee’s portrayal of the character made his actions sympathetic and understandable. 

Unfortunately, Eden Mau as Cosette was the weakest part of the cast. It was very clear she was understudying the role. She did not seem confident in her performance, and her vocal choices felt inconsistent. She would sing in her head voice and then suddenly switch into chest voice in a way that was not fluid. Rather than feeling like a deliberate, character driven choice, it was uncertain. This lack of vocal and emotional cohesion pulled me out of the show several times, which was disappointing in such an otherwise strong production.

Despite this shortcoming, the ensemble as a whole was phenomenal. Their harmonies were rich, their energy was strong, and they fully committed to creating the world of the show. Their strength elevated every major moment reinforcing the emotional stakes throughout the performance. One of the most outstanding moments of the night was “Do You Hear the People Sing.” The ensemble delivered this number with incredible strength and unity, and its message felt especially timely. During this number, Christian Mark Gibbs’ Enjolras led the ensemble with a sense of urgency and collective purpose that made the moment feel larger than the stage. It was stirring and unforgettable.  

Overall, there was one uneven performance, however, Les Misérables continues to demonstrate the impact of live theatre to move and inspire. Returning to the Orpheum Theatre now through February 22nd, Les Misérables is deeply affecting and definitely worth seeing!