Les Misérables Review by Katie Haus

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       On February 17, 2026, I had the pleasure of seeing Les Misérables at the Orpheum Theatre in

Minneapolis. This fabulous production, based on the 1862 novel of the same name, has left a lasting

impression on me. This production reminded me why this musical continues to resonate with audiences

decades after its debut. Its sweeping score, layered characters, and emotional storytelling make it

timeless. While I have always admired the music from Les Misérables, this performance secured its place

among my personal favorites.

One of the most remarkable aspects of the evening was Randy Jeter’s portrayal of Jean Valjean. You would never have guessed it from the confidence he showed, but he was the understudy. From his powerful delivery of “Who Am I?” to the spiritual vulnerability in “Bring Him Home,” Jeter commanded the stage with authority and grace. Additionally, his falsetto in “Bring Him Home” was breathtaking, clear, controlled, and passionate. Rather than simply showcasing vocal ability, he infused every note with meaning. His performance carried such emotional weight that it felt personal. Valjean’s internal struggle, redemption, and unwavering compassion were all beautifully realized through Jeter’s nuanced acting. It was not just technically impressive; it was profoundly moving.

Another standout performance came from Peter Neureuther as Marius. His rendition of “Empty Chairs at Empty Tables” was one of the most devastating moments of the night. The vulnerability he displayed was raw and authentic. The grief in his voice felt genuine rather than performed, and the quiet stillness he brought to the stage during the number amplified its impact. I could hear people around me sniffing, and more than one person was visibly wiping away tears. Neureuther did not overplay the emotion; instead, he allowed it to simply simmer beneath the surface, making the heartbreak feel real and immediate. It was a performance that filled the air long after the last note.

This show holds my heart; however, one element of this production I didn’t love was the use of projections in the background, in particular when Jean Valjean was carrying Marius through the sewers. While the visuals were technically impressive, they made the show feel less wholesome and more like a cheap ride at an amusement park. The digital backdrops, though dynamic and useful in the scene where Inspector Javert jumps off the bridge, created a surface-level atmosphere that strongly juxtaposed them with the rich, tangible sets often associated with Les Misérables. 

Even with that critique, this performance was undeniably beautiful. The emotional power of the cast–especially Randy Jeter and Peter Neureuther–elevated the entire production. Their performances reminded me why this story of redemption, love, and sacrifice continues to move audiences. This tour is coming to a close in August, and no matter where you are, you need to go to this show, because it's not just a show; it's an unforgettable experience.

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