From the beginning, one thing that is very clear about Chicago is that it knows how to make a statement. The stage is black, save for the performers lit by spotlights in the center that seem to tease the audience with their talent in “All That Jazz.” The song creeps along, slower than I would have thought, but sizzling with the Chicago fire that runs through the veins of this show. Velma (Claire Marshall), who leads the song, sings it softly but with such control that the power was akin to belting her heart out. What stuck out as a theme to me of this show was control, a hand on the reins, pulling back just enough to get us audience members to lean in. Another example of this control is in the choreography, by Ann Reinking (and Bob Fosse originally) and re-created for this production by Gregory Butler. The dances accentuate the energy of the show; in “All That Jazz” it was full of small movements like shoulder shrugs, but done with such impeccable synchron...
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